He was selling the papers like hot cakes; the purchasers too eager to even wait for their change. She wondered, with a little lump in her throat, how many would have stopped to buy had he been calling instead: “Discovery of new sonnet by Shakespeare. Extra special.” “His sufferings!” he interrupted. “Does suffering entitle a man to be regarded as divine? If so, so also am I a God. Look at me!” He stretched out his long, thin arms with their claw-like hands, thrusting forward his great savage head that the bony, wizened throat seemed hardly strong enough to bear. “Wealth, honour, happiness: I had them once. I had wife, children and a home. Now I creep an outcast, keeping to the shadows, and the children in the street throw stones at me. Thirty years I have starved that I might preach. They shut me in their prisons, they hound me into garrets. They jibe at me and mock me, but they cannot silence me. What of my life? Am I divine?”!

Mary’s work was finished. She sat upright in her straight-backed chair before the table, her eyes half closed. It seemed so odd to see those little work-worn hands idle upon her lap. She examined Joan awhile in silence. “Are you on the stage?” she asked.

“What does Madge think of him?” asked Joan. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “There was an old Egyptian chap,” he said, “a governor of one of their provinces, thousands of years before the Pharaohs were ever heard of. They dug up his tomb a little while ago. It bore this inscription: ‘In my time no man went hungry.’ I’d rather have that carved upon my gravestone than the boastings of all the robbers and the butchers of history. Think what it must have meant in that land of drought and famine: only a narrow strip of river bank where a grain of corn would grow; and that only when old Nile was kind. If not, your nearest supplies five hundred miles away across the desert, your only means of transport the slow-moving camel. Your convoy must be guarded against attack, provided with provisions and water for a two months’ journey. Yet he never failed his people. Fat year and lean year: ‘In my time no man went hungry.’ And here, to-day, with our steamships and our railways, with the granaries of the world filled to overflowing, one third of our population lives on the border line of want. In India they die by the roadside. What’s the good of it all: your science and your art and your religion! How can you help men’s souls if their bodies are starving? A hungry man’s a hungry beast.